Difference between revisions of "DAFX 2019"
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| − | + | ==Topics== | |
| + | *Automatic Mixing Technologies | ||
| + | *Melody Generation | ||
| + | *Philosophical foundations of IMP systems | ||
| + | *Improving Accessibility to Music Production | ||
| + | *Philosophical foundations of IMP systems | ||
| + | *Intelligent and Assistive Production Tools | ||
| + | *Semantically powered mixing technology | ||
| + | *Utilising novel Human Inputs for the Mixing Experience | ||
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==Submissions== | ==Submissions== | ||
==Important Dates== | ==Important Dates== | ||
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Revision as of 10:20, 15 April 2020
| DAFX 2019 | |
|---|---|
22nd International Conference on Digital Audio Effects
| |
| Event in series | DAFX |
| Dates | 2019/09/02 (iCal) - 2019/09/06 |
| Homepage: | http://dafx2019.bcu.ac.uk/ |
| Location | |
| Location: | Birmingham, United Kingdom |
| Committees | |
| Organizers: | Birmingham City University |
| Table of Contents | |
Topics
- Automatic Mixing Technologies
- Melody Generation
- Philosophical foundations of IMP systems
- Improving Accessibility to Music Production
- Philosophical foundations of IMP systems
- Intelligent and Assistive Production Tools
- Semantically powered mixing technology
- Utilising novel Human Inputs for the Mixing Experience