Difference between revisions of "ISMIR 2019"

From OPENRESEARCH fixed Wiki
Jump to navigation Jump to search
(modified through wikirestore by orapi)
(modified through wikirestore by orapi)
 
Line 15: Line 15:
 
|Homepage=https://ismir2019.ewi.tudelft.nl/
 
|Homepage=https://ismir2019.ewi.tudelft.nl/
 
|Start date=2019-11-04
 
|Start date=2019-11-04
|Title  =20t20th International Society for Music Information Retrieval Conference}}
+
|Title  =20t20th International Society for Music Information Retrieval Conference
 +
}}
 
Topics of Interest
 
Topics of Interest
 
  * MIR data and fundamentals:  
 
  * MIR data and fundamentals:  

Latest revision as of 03:56, 6 December 2021


Event Rating

median worst
Pain1.svg Pain5.svg

List of all ratings can be found at ISMIR 2019/rating

ISMIR 2019
20t20th International Society for Music Information Retrieval Conference
Event in series ISMIR
Dates 2019-11-04 (iCal) - 2019-11-08
Homepage: https://ismir2019.ewi.tudelft.nl/
Twitter account: ‎@ismir2019
Location
Location: NL/ZH/Delft, NL/ZH, NL
Loading map...

Committees
General chairs: Cynthia C. S. Liem, Emilia Gómez
PC chairs: Arthur Flexer, Geoffroy Peeters, Julián Urbano, Anja Volk
Table of Contents
Tweets by ‎@ismir2019| colspan="2" style="padding-top: 2px; " |

Topics of Interest

* MIR data and fundamentals: 
  music signal processing; symbolic music processing; metadata, tags, linked data, and semantic web;
  lyrics and other textual data, web mining, and natural language processing; multimodality.
* Domain knowledge:
  representations of music; music acoustics; computational music theory and musicology; cognitive MIR;
  machine learning/artificial intelligence for music.
* Evaluation and Methodology:
  philosophical and methodological foundations; evaluation methodology and reproducibility; statistical methods for evaluation;
  MIR tasks, datasets and annotation protocols; evaluation metrics.
* Musical features and properties:
  melody and motives; harmony, chords and tonality; rhythm, beat, tempo; structure, segmentation and form;
  timbre, instrumentation and voice; musical style and genre; musical affect, emotion and mood;
  expression and performative aspects of music.
* Music processing: 
  sound source separation; music transcription and annotation; optical music recognition; 
  alignment, synchronization and score following;   music summarization; music synthesis and transformation; fingerprinting;
  automatic classification; indexing and querying;   pattern matching and detection; similarity metrics.
* User-centered MIR:
  user behavior and modeling; human-computer interaction and interfaces; personalization; user-centered evaluation;
  legal, social and ethical issues.
* Applications: digital libraries and archives; music retrieval systems; music recommendation and playlist generation;
  music and health, well-being and therapy; music training and education; music composition, performance and production;
  gaming; business and marketing.