Difference between revisions of "SCA 2019"
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|has Keynote speaker=Uri Ascher, L. Mahadevan | |has Keynote speaker=Uri Ascher, L. Mahadevan | ||
|Acronym=SCA 2019 | |Acronym=SCA 2019 | ||
| − | |End date=2019 | + | |End date=2019-07-28 |
|Series =SCA | |Series =SCA | ||
|Type =Conference | |Type =Conference | ||
| Line 10: | Line 10: | ||
|State =US/CA | |State =US/CA | ||
|City =US/CA/Los Angeles | |City =US/CA/Los Angeles | ||
| + | |Year =2019 | ||
|Homepage=https://sca2019.kaist.ac.kr/wordpress/ | |Homepage=https://sca2019.kaist.ac.kr/wordpress/ | ||
| − | |Start date=2019 | + | |Start date=2019-07-26 |
|Title =18th ACM SIGGRAPH / Eurographics Symposium on Computer Animation | |Title =18th ACM SIGGRAPH / Eurographics Symposium on Computer Animation | ||
|Accepted papers=12 | |Accepted papers=12 | ||
| − | |Submitted papers=39}} | + | |Submitted papers=39 |
| + | }} | ||
==Topics== | ==Topics== | ||
We invite work on a broad range of animation topics, including: | We invite work on a broad range of animation topics, including: | ||
Latest revision as of 04:09, 6 December 2021
Event Rating
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List of all ratings can be found at SCA 2019/rating
| SCA 2019 | |
|---|---|
18th ACM SIGGRAPH / Eurographics Symposium on Computer Animation
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| Event in series | SCA |
| Dates | 2019-07-26 (iCal) - 2019-07-28 |
| Homepage: | https://sca2019.kaist.ac.kr/wordpress/ |
| Location | |
| Location: | US/CA/Los Angeles, US/CA, US |
| Papers: | Submitted 39 / Accepted 12 (30.8 %) |
| Committees | |
| PC chairs: | Christopher Batty, Jin Huang |
| PC members: | Mridul Aanjaneya, Sheldon Andrews, Thomas Auzinger, Moritz Baecher, Thabo Beeler, Jan Bender |
| Keynote speaker: | Uri Ascher, L. Mahadevan |
| Table of Contents | |
Topics
We invite work on a broad range of animation topics, including:
* 2D, 3D, and N-D animation systems * Autonomous characters * Clothing and hair animation and simulation * Expressive motion / communication * Facial animation * Fabrication of dynamic objects and characters * Group and crowd behavior * Intuitive interfaces for creating and editing animations * Mathematical foundations of animation * Methods of control and artistic direction of simulations * Nature in motion (natural phenomena, plants, clouds, …) * New time-based art forms on the computer * Novel time-varying phenomena * Perceptual foundations and metrics for animation * Physical realism / measuring the real world for animation * Physical simulation * Fluid animation * Planning / learning / optimization for animation * Real-time and interactive methods * Camera control methods for computer animation * Sound and speech for animation
as well as related problems and techniques in robotics, game development, human-computer interaction, simulation, visualization, computer vision, and beyond.